Tr@nnies on TV and in Movies Too!

How the Media Pushes the “Trans” Lie

The media is powerful, and those who control the media know that.

Subsequently, the media is an important tool for pushing the “trans” lie on the public, especially the young and impressionable.

Previously, a token gay character in a show or movie may have been sufficient to be subversive, but that is simply no longer the case.

Nowadays, a “trans” character is practically requisite for supposedly ground-breaking or binge-worthy content. Generally, this involves a male who enjoys wearing skirts and makeup, and these characters serve the purpose of pushing the normalization of this lie to audiences.

The examples provided here reveal the nature of this agenda.  

Hari Nef in Barbie, Transparent, You, and Assassination Nation

Hari Nef has had a busy few years. He appeared in the hugely successful Barbie, written by Greta Gerwig and Noah Baumbach; Transparent, written and produced by “non-binary” (non-existent just like “trans”) Jill Soloway; You, produced by Sera Gamble and Greg Berlanti; and Assassination Nation, produced by Sam Levinson.   

In Barbie, Nef portrays “Doctor Barbie,” an interesting choice since women were banned from medical schools for many years due to sex discrimination, as males thought women were too dumb and weak to work as doctors.

Harvard Medical School refused to officially accept female medical school students until 1945. Now, though, females are the majority of medical school students. Odd!

How many young girls watched Barbie and now think it is normal for a male cosplaying as a woman to portray a doctor? And that was the point.

I doubt Gerwig, who purposefully wrote the final line about a gynecologist, wanted that in her movie. Baumbach may have made the ultimate choice to include this male character. Who knows?  

Jill Solloway, the creator of the Amazon series Transparent, wrote the part of a cross-dressing male intentionally for Nef after she connected with him over social media.

Nef appears in flashback scenes set in 1930s Berlin as a cross-dresser who dies after imprisonment during WWII. He is meant to portray an ancestor of the Pfefferman family, the main characters of the series who grapple with their elderly father Morton declaring himself a woman named “Maura,” as happened to Solloway and her father in real life.

Interestingly enough, Nef, who described himself as “weird, chubby, popular, and artsy” as a child, has stated that he lives by the mantra “Take what is yours.” Indeed.

Hunter Schafer in Euphoria

The same Sam Levinson who employed Nef in Assassination Nation also employed another male named Hunter Schafer in HBO’s Euphoria, a show based on an Israeli series with the same name.

The show has won multiple awards from critics and is enormously popular, especially with younger audiences. It features several big names, including Zendaya, Sydney Sweeney, and Jacob Elordi.

The characters regularly engage in drug abuse, physical abuse, sexual abuse, all kinds of abuse, with each other. Angus Cloud, a main actor who portrayed a drug dealer, died of an overdose in 2023.   

In Euphoria, Schafer engages in a relationship with Zendaya, the series narrator. Zendaya is a mainstream movie star who had an early career with Disney and has appeared in Spider-Man movies and the Dune franchise. He appears in intimate scenes with Zendaya with his male genitalia clearly visible.

This makes Zendaya’s character “queer” even though this is a heterosexual relationship, which brings a completely distinct set of worries with it.

I wonder if any other sexual activity between two supposed women can result in a pregnancy, something which changes female lives, bodies, and futures in a way males cannot and will never understand.

How many young girls view this show and think that this behavior is tolerable and should not cause any kind of concern? If it is displayed in a critically acclaimed show popular with young audiences, then why would anyone point out that Schafer is a man and not a woman?

And that must be Levinson’s goal. What else could it be?

Kai Shappley in The Baby-sitters Club

At nine years old, Kai Shappley appeared in Netflix’s The Baby-sitters Club, a series based on the books by Ann M. Martin. Millennial women may remember these books as they were hugely popular in the 1980s and 1990s.

I remember reading them myself, and I was deeply enamored with the impressive, hard-working girls featured as main characters.

Those memories were ruined when I watched the first few episodes and saw Shappley used as a pawn in what essentially amounts to propaganda.

To be clear, the “trans” agenda never appears in the original books as that was not pushed on children during those times. This is a very modern malady.

A casting consultant for the show saw Shappley in the Emmy-winning documentary about his life and Rachel Shukert, the show runner, decided to force the “trans” storyline in episode four, written by Lyle Friedman. Shappley portrays Bailey Delvecchio, a young boy with long hair who runs a fever and is taken to the hospital by Mary Anne, his baby-sitter.  

Of course, the big, bad, meanie adults commit a literal hate crime against this young boy and have the audacity to refer to him as a male (which he is) and give him a blue (girls only wear pink!) hospital gown to wear. Mary Anne must display real strength and defend a little boy who bases his life on sexist stereotypes, as though that amounts to moral courage.

The adults are put in their place though, and the doctor looks for a pink hospital gown. Thank goodness!

Younger as well as older viewers, who may have read the books and are now raising the next generation, were meant to get a very clear message. A young boy with long hair who likes pink is a girl. What happens in real life is that boys like this eventually go on puberty blockers and estrogen, which lead to sterilization and surgeries. Ask Jazz Jennings.

That was Shukert’s goal with this storyline. It was meant to push an agenda which has a political purpose, and those who suffer the most are the ones who take it seriously.

Laverne Cox in Orange Is The New Black

Laverne Cox, 51, starred for several years in the hugely popular and critically acclaimed Netflix series Orange Is The New Black from writer-producer Jenji Kohan, whose brother David co-created Will and Grace.

Loosely based on Piper Kerman’s prison memoir, Cox portrays a man who commits credit card fraud to fund plastic surgeries and hormones. Anyone who opposes this character’s presence in the women’s prison or calls him a man is depicted as hateful or ignorant.  

In her memoir, Kerman remarks that the man she encountered in prison had a deep voice he used to startle women by yelling at them, and that he would distinctly stink like a man on hot days which caused him to sweat.

Cox’s identical twin brother, M. Lamar, portrays the character in several scenes which take place prior to the surgeries.   

Cox and his brother did a truly hilarious interview together with The Huffington Post, where Cox stated that penises are not masculine: “I know lots of men who have sex with trans women of various races, trans women who have not had bottom surgery. These men say they don’t experience the penises of these women as being masculine.”  

A media sensation resulted from Cox’s appearance on Time in 2014 for an article entitled “The Transgender Tipping Point: America’s Next Civil Rights Frontier.”

Time is owned by Marc Benioff, an influential billionaire and CEO of Salesforce, who has donated millions to his namesake UCSF Benioff Children’s Hospital, a national leader in “gender medicine” for children. This is a euphemism for mutilation, as everyone should know by now.

Another media sensation occurred in 2015 when Cox filmed a video about complaints of cross-dressing males in men’s prisons for the Sylvia Rivera Law Project. He read a letter from Luis Morales, a man demanding to be called “Synthia China Blast.”

After it became known that Morales raped and murdered 13-year-old Ebony Nicole Williams, Cox backtracked and said he would not have filmed the video if he knew the nature of Morales’ crimes.  

Why? Are there certain crimes men commit which mean they should be in women’s prisons? Are there crimes that women commit which mean they should be in men’s prisons?

The question is whether this is a man or a woman, not the nature of the crime. If he were truly a woman, he would be in a women’s prison, no matter the crime.  

He is a man, and therefore he belongs in a men’s prison. That is true whether the crime is murder, rape, or credit card fraud. There goes the purpose of the agenda of Cox’s character in Orange Is The New Black.

Unfortunately, Morales was paroled in 2022. He is now free to threaten TERFs on social media.   

Tommy Dorfman in 13 Reasons Why and Sharp Stick

Tommy Dorfman appeared in the widely watched Netflix series 13 Reasons Why, based on a best-selling book, both highly popular with young adults.

He also made a big production of his marriage to Peter Zurkuhlen in 2016. This was only one year after the US Supreme Court decision about gay marriage, when he was still just a boring ol’ gay man.

Dorfman incrementally moved from calling himself “they” to declaring himself a woman after his divorce in 2021. In 2022, Dorfman claimed that he was a lesbian.

Does this mean that he has essentially completed conversion therapy? Hard to say.

Dorfman appeared in the film Sharp Stick, written and directed by Lena Dunham, creator of HBO’s Girls. He portrays a cross-dressing male named Tali, and the film was released only about a year after his supposed “coming out” interview with Time (again!).

In the interview, he claims that he is not undergoing a “transition” (true, all he did was grow out his hair) but also states: “It is not transition. Or it is, but not as an idea of going somewhere. Just that I am actually myself…One doesn’t have to medically transition to be trans, but for me, it was an active choice.”  

None of this makes sense because “trans” does not exist.

Dorfman may have been trying to rationalize the fact that he did not even bother to change his name after claiming to be a woman, as he was named after a deceased uncle. If he were truly a woman, and if “dead-naming” were that serious, why would any of that matter?  

Well, because he is not a woman and never will be, no matter how hard he tries to market this. He likely ignores that fact as he promotes his directorial debut I Wish You All The Best, featuring young male actor Corey Fogelmanis playing a “non-binary” character.

On a related note, Lena Dunham’s younger sister Grace Dunham now calls herself “Cyrus” since she claims that she is a “trans” man. Grace appeared in Lena’s film Tiny Furniture as Nadine, Lena’s character’s younger sister.

She was a healthy young woman, and what has happened to her is a travesty.

Zoey Luna in The Craft: Legacy

Released in 1996, The Craft is a movie about four witchy, angsty teenage girls primarily marketed to other angsty girls (including myself). It is a rare movie which passes the Bechdel test and features female protagonists as well as female villains.

My friends and I loved it.

Its purported 2020 sequel written and directed by Zoe Lister-Jones, The Craft: Legacy, features a male character with copious makeup and wigs played by a Mexican actor who calls himself Zoey Luna.

Luna is signed to a management company called Transgender Talent, founded by a truly repulsive man calling himself Ann Thomas, who intentionally works to insert male impostors as “trans” characters in media.

                                         Mr. Thomas (left) and Mr. Luna (right)

Lister-Jones stated in interviews that she purposefully wrote a cross-dressing male character to replace one of the four witches and worked with GLAAD and a “trans” consultant as she knew this would impact the young audience.

Luna also stated: “The Craft needed a type of queer energy…I’m really grateful for all the other trans kids that are going to get to see this film.”

At a particularly galling point in the movie, the main character Lily states that all women can be considered magical since women give birth. Luna’s character immediately mansplains and replies: “Trans girls have their own magic, too” (did he mean testicles by “magic” here?). Obviously, there is no such thing as “trans” girls since they are simply male, as Luna is.

Not all women have to give birth or want to give birth. But only women give birth, and that is one of the main reasons males work so hard to oppress and control.

This exchange evokes the thousands of women and girls executed due to accusations of witchcraft, evidenced by the vicious contempt males have for women as found in publications like Malleus Maleficarum. Males like Luna have no connection to that and consequently have no place in the film.    

Tangentially, Lister-Jones recently divorced her husband, came out as “queer,” and now dates a female named Sammi Cohen, whom she calls “non-binary” (notice a pattern?).

Cohen is also a director and recently worked on Netflix’s You Are So Not Invited To My Bat Mitzvah.

I did not view that and cannot report if it contains any males in wigs calling themselves women.   

In conclusion, the media is a powerful tool that is intentionally used to push the “trans” lie, especially on the youth. This is not a civil rights movement or an issue of identity. It is propaganda, medical industry profits, and media control.